mixed reviews

I got a nice mention in the review of HIGH SEAS CTHULHU http://tinyurl.com/23w8bm and there's a new review of TALES OF THE SHADOWMEN 4 that says some nice things about my story http://tinyurl.com/2ynfw5. (I'm also excited that I've finally figured out how to make links in my blog!!!)

That's the good news. The bad is that "Fox Hunt" was declined by Cat Scratch Books for their anthology. When they asked for a supernatural/gothic story up to 17,000 words long I didn't think it was for me. However, the challenge stuck in my head and I came up a story I really liked. The editor at CatScratch said she liked it too and it made it through at least one round of readings. In the end though it didn't make it.

Anybody know a good market for supernatural/gothic very long short stories?

Happy Dance!

My two contributor copies of HIGH SEAS CTHULHU came today! I'm so happy it's just obnoxious!

Hmm... looking at the blog I see it's 2 weeks already since my last post. (Mental note: must quit job to spend more time on line.)

The sad thing is I still don't know how to do some simple things here, like link to other blogs I like. Heck, I can't even get the blog to remember me. I always check "remember me" but it never does. (At any other time that might make me feel sad and lonely, but not on a contributor copy day!)

Huzzah!

Four into the Void

I've sent four more stories out into the outer reaches of internet publications. Several of them were rejected earlier and the (hopeful) improved versions are back into the fray.

"Fox Hunt" is away to the as-yet untitled ahthology that Cat Scratch Books is putting out. This is a gothic romance(!) with fantastic elements. In my case it's the story of a young woman who goes to live as the companion of an elderly woman in a secluded estate in the interior of Alaska. There are shape-shifting animals and people as well as connections to two other stories, "The Cold Comes South" and "Kumiho." It was very different for me for a number of reasons, not the least that it's 17,ooo words long which is almost twice anything i've done before. It was a fun exercise. I hope they like it.

"Trail of the Brujo" was recently rejected by Weird Tales but is now on the way to the anthology CROSS-GENRE CTHULHU. It's a Mysterious Dave western with a villain and a supporting character I particularly like. The editor is John Sunseri, who I know likes weird westerns. (He had a story in HELL'S HANGMEN.)

"Kumiho" is a horror offering based on Korean legends about a nine-tailed fox. I usually don't write straight horror. I tend to like adventure stories with fantastic elements much better. Good horror has an air of hopelessness and meaninglessness. That's what makes it so frightening. Unfortunately, I'm not much interested in hopelessness and meaninglessness. However, I have really enjoyed Asian fox tales for much of my life and enjoyed writing one. It's gone off to an anthology called LYCANTHROPE: THE BEAST WITHIN. They said they wanted lycanthropes other than werewolves so this may suit their needs. (What would you call a were-fox anyway? A vulpanthrope?)

Finally, "Horse Latitudes" is a high seas adventure featuring the same protaganist as "Clown Fish." It's a strange story that starts out like a high adventure then takes a strange turn through an unseen world. It was inspired by some beautiful stories by Lord Dunsany I read a while back. It's going to CLOCKWORK PHOENIX which is collecting stories that, "...stories that sidestep expectations in beautiful and unsettling ways."

"Horse Latitudes" is inspired by an old Jim Morrison poem about a part of the Atlantic where ships were often becalmed and horses were sometimes thrown overboard. That image has always stayed with me.

Crushed Again

My story "Trail of the Brujo" was just rejected by "Weird Tales." That's discouraging of course, it's a story I felt rather proud of and this is two rejections. I wonder how I'll go on.

I console myself however with the fact that I'm being turned down by such an impressive market.

Crushed by the Machine of Death

I just heard today from the editors of MACHINE OF DEATH. They wrote a nice rejection letter for my submission to their anthology. (I really do appreciate it when people take the trouble to write a polite letter. So many don't.)

They didn't criticize my story except to say that it didn't fit what they had in mind for the volume as well as many other submissions did. They had about 700 submissions so they got to choose what was going to fit together best.

I can understand that. I read an essay by Marion Zimmer Bradley awhile back that said that most rejections are for that reason. The story can be conceptually brilliant, stylistically flawless, and deeply compelling and still not be a good fit for a collection. That's a comforting thought...

The editors said that I was free to submit the story elsewhere and wished me luck. I appreciate that, though I doubt it will be practical. Their anthology is about a world where there is a machine that can predict the manner of a person's death. You just head down to the local convenience story and drop some money in the slot and it will crank out a technically accurate (but cryptic) sentance like "auto accident."

The machine doesn't tell you how long you've got, or any of the sepcifics of the death. A person who got the "auto accident" might give up driving only to slip on a child's toy car and break his neck.

My submission was titled "Act of God." It was meant to be an ambiguous story highlighting people's attitudes about the existence of God. If this guy's going to die because of an act of God, does that mean that God exists? What does that say about the character of God? In the end the poor guy's death doesn't resolve anything. Atheists and fundamentalists alike stick to their own interpretation of events and belief in God remains a matter of faith rather than hard evidence.

It wasn't my best story, but I liked it. Maybe I will submit it elsehweresomeday, but if it doesn't fit in the MACHINE OF DEATH I don't have a clue where it will fit.

It's no big deal though. I've learned to bear rejection with grace and equanamity. Now please excuse me while I go curl up in the foetal position and feel sorry for myself :(

Yasuke

Micah Harris just looked over this story and gave me some good suggestions. This is my take on the Golden Age SF stories and (I hope) will read like Northwest Smith's adventures on Barsoom. (If you don't know Northwest Smith http://en.wikipedia.org/wiki/Northwest_Smith or Barsoom http://en.wikipedia.org/wiki/Barsoom you have a treat ahead if you check them out!)

This is my first story with a female protaganist. I hope it's a reasonably successful attempt. The heroine, Cat Morgan is an homage to C.L. Moore, one of the greats of Depression era Science Fiction and one of the first women in the field. The story had been accepted for an anthology called "The Big Black" but that went away when G.W. Thomas was forced to fold Rage Machine books. (I hated to see that happen to a struggling small press, and especially to G.W. who is a good guy.)

Anyway, it's a quick polish with Micah's suggestions and off to a new home (I hope) with "Intergalactic Medicine Show" which is a neat looking magazing I've only just become aware of. Wish me luck!

Zorro's conclusion

Telemundo's "Zorro: la espada y la rosa" looks like it is moving up to a climax. I believe that the masked ball held by the Queen of Spain will bring everything to a conclusion. There are a number of long-ronning subplots that have been resolved and the ball will be the first event where everyone in the cast comes together.

Zorro will win the day of course, and be reunited with hos true love Esmeralda (who now posing as the mysterious Countess of Barcamonte.) Mercedes (formerly the woman in the iron mask) will be reuinted with her cousin the Queen to help rule Spain wisely and well. Lovers will be reunited, villains will meet their ironic fates, and justice will be restored.

As the end nears I find that I am more interested in some of the minor characters than the principals. It's not that Zorro shouldn't be the center of the action. He's the only reason I'm watching this. It's just that what happens to the minor characters is harder to predict, creating greater dramatic tension. I'm very interested, for instance, in seeing whether Tobias (a pompous buffoon who occasionally impersonates Zorro) and Catalina (his self-absorbed but likable wife) live happily ever after.

They have brought one of the major villains to point in his life that I would never expect to see on American television. Don Fernando Sanchez y Moncada, the evil governor of Los Angeles has renounced his obsessive love for Don Diego's aunt and become a friar. He is now seeking forgiveness from those he has harmed (a long list.) It is interesting to see characters dealing with their faith so openly on a television program. It is also unexpected to have such a strong theme of grace and redemption show with a character who has been to unapoligetically evil for so long. (You know that a villain is truly repentant when he shaves off his VanDyke.)

I had gotten really tired of his never ending pursuit of Maria Pia but this change makes me interested in him again. I suspect that his redemption is going to involve a heroic death saving the lives of people he has wronged, but we'll see.

The Joys of Black and White

Saturdays have become my favorite TV night. There are some very good shows being written these days, but there's been good writing all along and it is a pleasure to discover some of it.

A Chicago station has been broadcasting episodes of some shows that were on when I was too young to be aware of them. MAVERICK is one of the best written westerns I've seen with it's wry wit and clever plots. HAVE GUN, WILL TRAVEL isn't as well written, but that may be a limitation of the half hour format. The character of Paladin, the gunfighter/knight errant is interesting. I've noticed that several of the writers who went on to STAR TREK got their start here.

I'm not as crazy about PETER GUNN but the jazz soundtracks they use are a lot of fun. The detective hero is played by Craig Stephens, who reminds me a little of Cary Grant and a little of Humphrey Bogart, but without the charisma of either. For my money Lola Albright as Gunn's long-suffering girlfriend and Hershel Bernardi as his tough cop friend are both more interesting. Frankly, Gunn loses a lot of points with me for the sexist and dismissive way he treats Albright's character (that's not political correctness talking, rude is just rude).

The other gem from the black and white era that local cable is offering right now it THE RIFLEMAN. The writing is solid and the direction is very good. (Sam Peckinpah got his start on this show before making a big name for himself in th emovies.) The plots are fairly standard for westerns but they're saved by the strong relationship between Lucas McCain and his son Mark.

I'd call it nostalgia, but I never saw any of these shows (except for a few episodes of The Rifleman) until recently. It's more like discovering forgotten treasure.

Covers

Here they are!

I love the illustration from High Seas Cthulhu! It's similar to a scene from my story (though, it's probably also a scene from several stories in the collection. What could be more natural than Great Cthulhu taking on a sailing ship for a book with that title.

I'm less excited about the other cover. Don't get me wrong, its well executed, but I was hoping for cowboys or some such. It's heavy in the 'Cthulhu' and a little light on the 'frontier.'

Still, I'm really excited about both!

Avast!

I just heard that my story "Clown Fish" has officially made it into HIGH SEAS CTHULHU!

That be no bilge matey, arrr!

http://www.esp-books.com/shop/index.php?main_page=product_info&products_id=221

More Submissions

I've been submitting mostly to anthologies to date and haven't cracked the professional magazine market. I recently sent "Trail of the Brujo" (Mysterious Dave again) to Weird Tales http://www.ralan.com/sfpro/listings/weirdtales.htm so I've got my fingers crossed. It's a revival of the great Weird Tales of the pulp era that gave people like Robert E. Howard, Seabury Quinn, and H.P. Lovecraft their start in writing. It would be a thrill to be published under that title.

I'm revising "Yasuke," which is my stab at old fashioned space opera, to sent to Intergalactic Medicine show http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=content&article=submissions. It's a long story (9,000 + words) that was accepted to an anthology called "The Big Black II." Unfortunately that anthology went away when Rage Machine books folded.

There's a story a wrote a while back called "Horse Latitudes" inspired by the Jim Morrison poem. It's starts as an adventure story but moved to something unearthly and dreamlike. (I haven't done that before. I hope it comes across the way I want it to. There's a new anthology called Clockwork Phoenix http://www.clockworkphoenix.com/ this might be good for so I'll be polishing it for that.

Submitting stories is getting easier but I still have a big hollow feeling in my story every time i do it.

Dr. Syn

I've been watching a VHS (yes, I'm still that primitive) of Disney's "Dr. Syn, Alias the Scarecrow" this week. I saw it at the drive-in when I was in grade school and loved it! It was a double feature with "Treasure Island" and (in my young eyes) blew Long John Silver away.

For one thing, Dr. Syn features a masked hero and I've always been a sucker for those. He's not just some good in a cape and mask either. The Scarecrow is weird, spooky, and impressive in a way very few masked characters are. The idea that this fearsome creature was a force for justice was inexpressably cool.

The other thing that really attracted me to the character was that he was a clergyman. Church was starting to be an important part of my life at that age and the combination of wise pastor and masked outlaw hero was a potent combination. I never questioned the idea that a minister could be motivated to put on a spooky costume and fight for justice. In some ways it made more sense than having a millionaire playboy of a bored caballero do the same thing.

It took me many years to track down the print stories that inspired the movie but I did. I was in graduate school before I found a novel by an American author named Buchanan titled CHRISTOPHER SYN. It was many more years before I ran across the series of novels by Russell Thorndike. These really filled out Syn's odd personality from his early years to his career as a pirate, to his dual career as vicar of Dymchurch and swashbuckling masked smuggler.

There are two other movies, both predating the Disney version. "Doctor Syn" (1937) tells the story of Syn's final days when his piratical past finally catches up to him. "Captain Clegg" (1962) is a remake of "Doctor Syn" with Peter Cushing replacing George Arliss in the title role. I've never seen the Arliss version but liked the Cushing version quite a bit. I've always enjoyed the actor's work. Still, for my money, Disney's movie is by far the best. It shows syn in the prime of life outwitting the King's men at every turn, and Partick McGoohan is perfect as the character. He projects the cool intellect and the core of decency perfectly. Dr. Syn is kind and mild, but you never doubt that he is a man of integrity. The Scarecrow is frightening, but we see a glimmer of mercy and compassion shine through his fierce guise.

I'm the Fourth Doctor

http://quizfarm.com/test.php?q_id=19763

My results (yay!):

The Fourth Doctor (Tom Baker)
88%

The Eighth Doctor (Paul McGann)
63%

The Sixth Doctor (Colin Baker)
63%

The Seventh Doctor (Sylvester McCoy)
56%

The Fifth Doctor (Peter Davidson)
56%

The Ninth Doctor (Christoper Eccleston)
50%

The Second Doctor (Patrick Troughton)
50%

The Third Doctor (Jon Pertwee)
31%

The First Doctor (William Hartnell)
19%

Flying Under the Radar

William Jones has a contest for anyone who can figure the names/titles of everything in the new CTHULHU FRONTIER volume. I see that I'm one of two who no one has found yet. No wonder, even I can't find my blog using google. Maybe this will help...

Cthulhu frontier Cthulhu fronter Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier Cthulhu frontier

And the title of the story is "Snake Oil."

In Lovecraft's Shadow

I just heard from Ron Shiflet that my story "Decently and Quietly Dead" will be included in vol 2 of his magazine, "In Lovecraft's Shadow." Ron's a great guy and a talented writer. His stories stories I've read are fast paced adventure with a nice dollop of horror and a touch of humor. They have the same appeal for me as Robert E. Howard stories but they're not at all imitation Howard.

Anyway, the story puts Mysterious Dave against (surprise) another Lovecraftean horror. It seems that "Hanging Judge" Isaac Parker (a real old west figure http://en.wikipedia.org/wiki/Isaac_Parker ) is upset because a criminal he had hanged has the gall to escape after the execution. Dave has to bring him back in the judge's words, '...decently and quietly dead.'

La Espada y La Rosa

I've been watching a telenovella (basically a Spanish language soap opera) about Zorro for the last couple of months. From the point of view of action/adventure it's not great. (A Zorro story doesn't benefit from glacial pacing.) The fight scenes are awkward. They have some good stunt doubles but there's no sign that they have a fencing master and they film around the actors' limited moves.

The principal actors are pretty good, but it's the minor roles what shine. With the slow pace and the involved romantic complications you get to know the background characters pretty well. Don Alejandro does noble and fatherly very well. The sinister hunchback Olmos is a lot of fun, as is assistant evil guy Pizarro. My favorite though is Mariangel, the evil sister of the leading lady. They've introduced a touch of tragedy to her storyline, which should have made her more sympathetic. Ironically, making her more human makes her less fun. Before she seemed to be having such a good time being wicked that it was fun to watch. It was the sort of gleeful evil that made Vincent Price so much fun.

I'm glad it's a limited series, if the end weren't in sight I don't know if I'd have the stamina to see it through. Just the same, it's Zorro and I'm glad Telemundo decided to offer closed captioning in English.

Shadowmen

Jean-Marc Lofficier just posted the cover for TALES OF THE SHADOWMEN vol 4 on the Black Coats Press website. http://www.blackcoatpress.com/talesshadowmen04.htm

In addition to the story I mentioned earlier, he is including a flash fiction piece of mine. This is part of a series of flash stories by different authors build around a villainess named Madame Atomos. She is a sort of female Fu Manchu type created by French author André Caroff. Unlike so many Aisan supervillains who just wanted to rule the world, Madame Atomos had a more compelling motive. She was seeking revenge on the United States for the destruction of Niroshima and Nagasaki. http://www.coolfrenchcomics.com/atomos.htm My story reflects on the desire for revenge and what it does to a person.

Cthulhu Frontiers

I just heard from William Jones that it's okay to mention that CTHULHU FRONTIERS is being released by Chaosium Press this month. (No link yet) This is a collection of horror in the grand tradition of H.P. Lovecraft set in the wild west. My story "Snake Oil" is going to be included in that and I'm very excited!

I've been writing weird westerns for a while now. Snake Oil will be the 4th story of Mysterious Dave Mather to see print. Dave was a historical gunfighter and a lawman in New Mexico and Kansas. http://en.wikipedia.org/wiki/Mysterious_Dave He was also a descendant of Cotton Mather, the Congregational minister famous for his involvement in the Salem Witch Trials. http://en.wikipedia.org/wiki/Cotton_Mather

I couldn't have created a character more perfect for this kind of story. He has come alive in my mind and I enjoy writing about him more than any other character.

The other thing I'm free to mention is that my story "Captain Future and the Lunar Peril" has been accepted in vol 4 of TALES OF THE SHADOWMEN which Black Coat Press will be putting out near the end of the year. It's my homage to the wonderful days of early SF when we knew very little about the solar system and anything was possible. As Douglas Adams said, "It was a time when men were real men, women were real women, and small furry creatures from Venus were real small furry creatures from Venus."

Welcome to My Blog

Hi,

I've already got a blog over at journalscape (I'll link to it as soon as I figure out how) but that one's meant to be serious. This is about writing.

I'm a writer of speculative fiction and I don't like to try and pigeonhole it any more than that. I've been writing the kind of stories that I've always loved, fast moving, adventurous, and filled with things that don't exist in the mundane world. My stories are populated with magic, elder horrors, monsters, and alien beings. I've been fortunate to have been published in a number of places. Here's the quick bibliography.

"Mask of the Monster" in TALES OF THE SHADOWMEN vol. 1 http://www.blackcoatpress.com/talesshadowmen01.htm

"Ex Calce Liberatus" in TALES OF THE SHADOWMEN vol. 2
http://www.blackcoatpress.com/talesshadowmen02.htm

"The Heart of the Moon" in TALES OF THE SHADOWMEN vol. 3 http://www.blackcoatpress.com/talesshadowmen03.htm

"Zorro: the Legacy of the Fox" (essay) in MYTHS FOR THE MODERN AGE
http://www.monkeybrainbooks.com/Myths_for_the_Modern_Age.html

"Mysterious Dan's Legacy" in ARKHAM TALES
http://catalog.chaosium.com/product_info.php?products_id=846

"Fool's Gold" in HELL'S HANGMEN
http://www.lulu.com/content/358271

"The Cold Comes South" in IN LOVECRAFT'S SHADOW Vol 1.
http://www.lulu.com/content/752057

All but the last two are also available through Amazon but the links are so darned long :(

That's probably enough for now. This is mainly a test of this nifty blogspace anyway.